Live version of the album. Authentic tibetan ritual music. Tibetan tantric overtone chanting. Recorded live at "Gazgallery" (Moscow) in the autumn of 2008.
This voyage began in the middle of the 1990's in Moscow, when a group of artists and musicians led by Alexei Tegin and based at the legendary Fabrique of Cardinal Art commenced their studies of traditional ritual music, drifting away from the field of contemporary electroacoustic and industrial music with the intent to delve deeper into the ancient musical cultures of the ancient Egypt, Iran and Tibet.
The original 2003 lineup of the project that emerged as a result was dubbed Phurpa (one of the five tutelary deities of the Father Tantra in Bon tradition), and all the members have carried on with their research in the field of Bon and Buddhist liturgies up to the present day.
Before Buddhism reached Tibet, local people had practiced involved shamanic rites derived from various ancestral cults. Later on, circa the VI-IX century AD, a conflict between the local tradition, namely, the pre-Buddhist religion of Bon (which originates from Central Asia) and Tantric Buddhism (hailing from the North of India) gave birth to a unique cultural phenomenon known as Tibetan Buddhism, which combines an extensive metaphysical corpus and an advanced philosophical system with pristine ceremonial practices that reach down through many centuries. In the X-XI century AD the monastic ensemble came into being. It has got a lot in common with the Chinese court ensembles of the Tang dynasty; nevertheless, the Tibetan ceremonial ensemble has preserved its authenticity and kept a large number of primordial elements stemming from the ancient Tibeto-Burmanese music intact to this day. A typical ensemble usually includes a pair of nga drums, several rolmo cymbals and a pair of gyaling oboes, as well as telescopic dunchen horns, dunkar shells and short wandun horns. One of the unique features of the Tibetan monastic choir is a specific kind of overtone chanting, called "rgyud-skad", or the Tantric voice, which is based on the principle of the singer's transmogrification during the so-called "chanting meditation".
supported by 8 fans who also own “Trowo Phurnag Ceremony”
Литоургиiа réussit l'impensable : faire entrer le black metal dans l'église orthodoxe. S'il y a une dimension dramaturgique (indissociable de tout office religieux), Литоургиiа reste profond, solennel et touche le sublime.
Après la sortie de cet album a lieu un Grand Schisme et un larcin : Христофор se fait dépouiller de son propre groupe par Барфоломей et Мартин ; tout ce qui reste ici provient de ces deux hérétiques. Suivez la procession de Батюшка ici : https://sphieratz.bandcamp.com/album/- Jordan Vauvert
supported by 6 fans who also own “Trowo Phurnag Ceremony”
This is what you get buying the label's discography, you don't know what treasures you get :) Love Lunatii for their Diskonformism of 2020 for its pure unadulterated madness, this here is no worse (differently though, which is for good). YomaBarr
A ferocious display of blackened stoner-doom from Moscow's Moanhand, who offsets moments of bleak ugliness with clean, haunting melody. Bandcamp New & Notable Jun 23, 2021
supported by 6 fans who also own “Trowo Phurnag Ceremony”
Not many bands can keep my attention pretty much solely using synths, but this entity that is Lamp of Murmuur can do anything and evoke a wonderful atmosphere and showcase their ability to blend melody with a wall of static noise Xra Diabolist